Kill Bill

A movie poster design for Kill Bill movie.

Arteveldehogeschool

2026

Ghent

In this project, I chose Kill Bill by Quentin Tarantino to challenge myself to design a poster from a perspective I hadn’t come across before. After rewatching it, I started reading the scenes more like spaces, thinking about surfaces, positions, and how movement leaves traces. There’s a moment involving a glass surface that caught my attention. Instead of following the usual top or side perspectives, I approached it from a less expected point of view. That shift allowed me to build a subtle grid system, where every element (blood, footsteps, placement) starts to guide the composition. The footprints are also a small nod to Tarantino’s visual language, but more than that, they act as markers of presence. The poster becomes less about a single image and more about a scene unfolding/holding both the tension of the film and the trace of what just happened.

In this project, I chose Kill Bill by Quentin Tarantino to challenge myself to design a poster from a perspective I hadn’t come across before. After rewatching it, I started reading the scenes more like spaces, thinking about surfaces, positions, and how movement leaves traces. There’s a moment involving a glass surface that caught my attention. Instead of following the usual top or side perspectives, I approached it from a less expected point of view. That shift allowed me to build a subtle grid system, where every element (blood, footsteps, placement) starts to guide the composition. The footprints are also a small nod to Tarantino’s visual language, but more than that, they act as markers of presence. The poster becomes less about a single image and more about a scene unfolding/holding both the tension of the film and the trace of what just happened.